*All photos on this blog are shot by me and are under copyright unless otherwise noted. :)
Starting in the late 1970s, Hiroshi Sugimoto took pictures of cinemas interiors and drive-ins with the aim of encapsulate the whole lenght of a movie in a single shot. He left the camera shutters open throughout the running of a movie and the glowing screen of the cinemas was left as a trace on each take. A somehow uncanny light resonates in the dark cinema halls. At a further glance, this central light ethereally underlines the rich architectural details of the theater interiors. You might want to confront Sugimoto’s work with Michael Wesely’s, a photographer that uses to take photographs featuringi 3 years long exposures: read “The passing of time“, (on Socks).
In camera - no photoshop - LOOK AT THAT LIGHT!!!!!!!! Photo by @jbusatophotography Makeup by @_xmegzx_ #megzmakeup
#tbt to one of the best trips I’ve ever had to my favorite place on earth. I love that I was able to share this trip with my Nino and that we were able to do everything he wanted. He loved #Disneyland almost as much I do so it was great making memories I definitely will not forget. Also, it was awesome having @marialoredo and @rjmarqueda with us. They were able to see a side of Nino I luckily got to see on a daily basis and were able to bond a bit and make memories of their own. #love #disney #memories #onedayishallreturn (at Disneyland Resort)
We as medical providers are doing something very, very wrong when patients avoid coming to the doctor because they know how emotionally horrible they’re going to feel afterward. Why? Because we’re dismissing all their concerns with no explanation except “you’re fat.”…